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c. 1445 – May 17, 1510. Italian painter.

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simon luttichuys
Bread and an Orange resting on a Draped Ledge

ID: 75757

simon luttichuys Bread and an Orange resting on a Draped Ledge
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simon luttichuys Bread and an Orange resting on a Draped Ledge


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simon luttichuys

ca 1630-1640   Related Paintings of simon luttichuys :. | Vanitas still life with skull, books, prints and paintings by Rembrandt and Jan Lievens, with a reflection of the painter at work | Tankard with Oysters, Bread and an Orange resting on a Draped Ledge | Vanitas still life with skull | tillskriven | Bread and an Orange resting on a Draped Ledge |
Related Artists:
Anthonie Leemans
(1631, The Hague - 1673, Amsterdam), was a Dutch Golden Age painter. According to Houbraken, who did not specify which brother he meant, he made a profitable living making trompe l'oeil paintings of hunting paraphernalia, birdcages, and weaponry. According to the RKD he was the older brother of the painter Johannes Leemans, and both are known for still life paintings of hunting paraphernalia and vanitas pieces that became an influence on Christoffel Pierson for their popularity. Anthonie also painted a few Italianate landscapes with soldiers.
Ambrosius Benson
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
Hughes Taraval
1729-1785






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